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Film: Thirumanam Ennum NikkahStarring: Jai, Nazriya Nazim
Director: Aneesh
Producer: Ascar V Ravichandran
Banner: Aascar Film Pvt.LTD
Music: M. Ghibran
Story:
Thirumanam Ennum Nikkah is about two
youngsters, Jai [Raghavachari] and Nazriya Nazim [Priya], who are born
and brought up in a traditional Brahmin (Vaishnava) family. The duo
changes their names as Abubaker and Ayesha and board the same train.
During their journey Ayesha is bothered by a baddie and Abubaker helps
her to get over the situation. Later the duo develop liking for each
other and simultaneously start acquiring knowledge about Islam. In the
process Abubaker joins a Muslim guru, whose daughter falls for him. On
the other side, the lead pair unfolds eachothers original identity and
calls off their marriage. How will Raghavachari solve his problem? Who
will Abubaker marry? forms the crux of Thirumanam Ennum Nikkah...
Performances:
Jai is at his usual best. He has delivered a neat performance with good timing. Jai scores one more performance wise.
Nazriya looks cute in
both Hindu and Muslim traditional outfits. Thirumanam Ennum Nikkah is an
add up to her list of Neram, Raja Rani and Vaayai Moodi Pesavum.
The actor who played Muslim Guru and his
daughter are up to the mark. A promising debut by Heebah Patel, her
expressions in Chillendra song are quite good.
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Technical Analysis:
Director Anees has to be appreciated for
the story and apt choice of cast and crew for the film. But the
filmmaker has to workout on the screenplay and the avoidance of
commercial compromises could have been better. He has to be tapped for
the end credits that end up at Plot-Form No. TEN, symbolically.
Ghibran's music and background scores
have supported the movie more than needed. If not Ghibran's music
Thirumanam Ennum Nikkah would have been boring. Comaparatively Islamic
flavour of the movie are redeemed to perfection. Songs like Enthaaraa
Enthaaraa, Chillendraand Kannukkul Pothivaipen, are already
chartbusters.
Loganathan's fine looking cinematography
is best supported by the art department. Especially, the frame
including Nazriya in the midst of Rangoli is excellent.
Thirumanam Ennum Nikkah is a perfect script with only 130 mins running time. So, no complaints with editing.
Analysis:
Thirumanam Ennum Nikkah aka TEN is
regretted even after having an engaging story line with well supported
performers and talented crew.
Following many Tamil films, even Anees
choose to show Tamil Brahmans in a stereoscopic way, while Muslim
traditions and customs are well portrayed. However, the filmmaker failed
to convey the importance of celebrating these rituals, which would have
added weight-age to the movie.
Screenplay, purposeless second love
track and a forced fight scene are huge backdrops of TEN, while the
movie has fine directorial touches in the End Cards with a glimpse of
complete cast and crew with equipment on tracks, which ends at platform
number TEN.
Final Verdict: Hard screenplay sweeps over the skillful story, performances and music...
