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Film: InamStarring: S. Karan, Sugandha Ram, Saritha, Karunas
Director: Santhosh Sivan
Producer: Mubina Rattonsey, Santhosh Sivan
Banner: Thirupathi Brothers
Music: Vishal Chandrasekhar
War stories are extremely
challenging to narrate without being controversial. But
cinematographer-filmmaker Santosh Sivan has crushed that notion to pulp
with his film "Inam", a war-drama which explores the lives of a group of
orphans during the Sri Lankan civil war.
Without taking sides and not provoking
political sentiments, Sivan tells an emotionally arresting tale of human
barbarism, hope and survival. Even with a documentary style narrative,
mostly slow, "Inam" tugs at your heartstrings and presents the story
from two different perspectives to see, pause and ponder.
Rajni (Sugandha Ram), a lone survivor of
the Sri Lankan civil war, shares her harrowing story of survival to an
interrogating officer (voice by Arvind Swamy). We are taken back in time
and introduced to a group of orphans between age groups five and 20,
homeless, living under the care of 'Tsunami akka', played by Saritha.
From then on, the story takes us through the lives of these characters,
their struggle for survival, moments of joy and a lot more. What happens
to these characters during the course of the war? This becomes the crux
of the story.
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From celebrating human spirit to
capturing the worst bomb explosions, "Inam" tests human endurance on
battleground. The willingness to survive is stronger than the fear of
death. This philosophy is reinstated throughout the film, which is built
around an array of anecdotes that take place in the orphanage.
Sivan is a very creative filmmaker and
you will only agree with me when you realize that he tells the story of
"Inam" from two extremely different perspectives. While the story is
told to us through the past of Rajni, but Sivan wants us to see his work
through the eyes of Karan, a special child, who plays the role of
Nandan to perfection.
Through Rajni's story, he shows us
exactly how innocent lives are lost in a war, children are orphaned, and
young girls are molested. Through Nandan's story, we see that even in
warfare, there's room for optimism, care and affection. For instance, in
a scene where bombs are being air-dropped and everybody is running for
cover, Nandan takes the effort to save a turtle. He befriends a human
skull and calls it 'Mr. Friend', builds a strange relationship with it
and even saves Rajni from her molester towards the end of the film.
"Inam" is backed by wonderful
performances by an almost unfamiliar cast. From Sugandha to Karan to
Saritha, Sivan has extracted raw performances from everybody. And the
reason the actors are believable in their respective roles is because
they are unfamiliar.
Although Sugandha plays the lead and it
is through her flashback that we see the film, the real star of the film
is Karan, who entertains at regular intervals with his innocent
mischief. Karan carries the film on his shoulders and you root for him
more than you root for others.
Sivan's striking cinematography makes
even remorse moments in the middle of a war-zone, a visual splendour to
gaze at. One particular shot that stands out in the entire film is when
we see a group of foreigners leaving Sri Lanka in a hurry with a
polythene bag full of fish with a dead one floating inside.
You understand this particular shot
little later when in another scene, hundreds of unattended bodies which
people pass through in search of cover during the war because nobody has
the time to even bury these bodies.
Vishal Chandrasekhar's music helps you
connect with the film on an emotional level. Even though there are three
songs included merely to give the film a commercial touch, it's his
background score that draws your attention.
"Inam" comes straight from the heart of Santosh Sivan. It deserves to be accepted, embraced and celebrated.